I really admire Jeff Stone's approach to mentalism. His effects are not only especially powerful, but also clear and undeniable. And his presentations [in Stone Cold Mental] provide strong theatrical themes, while leaving plenty of room for

Is magic an art? Magicians have been thinking about it in the wrong way for more than a century. If you feel that the question is merely academic, Brushstrokes explains the value for every magician, with examples from history and from current

1. Give the spectator a prediction. 2. Ribbon spread a deck of playing cards. 3. Ask the spectator to choose a number. 4. Count to the number chosen... After several months of work in collaboration with David Ferrari to refine this

The spectator selects a card and writes the number and suit on a sugar envelope. The magician opens the envelope, pours the sugar on the spectator's forearm and the selected card appears written on the skin. It is the old and great "ashes on arm"

I would like to you a story. In this story, you spread the cards and ask your audience to name any card. No force. You isolate their selection and put away rest of the cards. You turn the tuck case around to show them the brand name of the

Finally, you can take the classic Omni plot to the streets! InvisiBill takes your money magic leaps beyond the norm by adding a truly unexpected kicker ending. A simple, familiar object - a