Any card is selected and is initialized on its back by the spectator. The card is shuffled back into the deck. Next, a blank-faced card with a hole in its center is shown and placed on top of the deck - the top card can be clearly seen

I would like to you a story. In this story, you spread the cards and ask your audience to name any card. No force. You isolate their selection and put away rest of the cards. You turn the tuck case around to show them the brand name of the

Is magic an art? Magicians have been thinking about it in the wrong way for more than a century. If you feel that the question is merely academic, Brushstrokes explains the value for every magician, with examples from history and from current

John Stessel is a strikingly creative magician. On this DVD, he invites you to take an intriguing journey into his world. Abandon all preconceptions. Inside this mysterious realm, you won't encounter common effects produced by familiar methods.

1. Give the spectator a prediction. 2. Ribbon spread a deck of playing cards. 3. Ask the spectator to choose a number. 4. Count to the number chosen... After several months of work in collaboration with David Ferrari to refine this

John Horn has created the most visual Sharpie revelation ever. Taking the standard Sharpie revelation and turning it on its head creating a moment of instant visual impact! Imagine being able Smudge the Sharpie logo to form the name