I would like to you a story. In this story, you spread the cards and ask your audience to name any card. No force. You isolate their selection and put away rest of the cards. You turn the tuck case around to show them the brand name of the

John Stessel is a strikingly creative magician. On this DVD, he invites you to take an intriguing journey into his world. Abandon all preconceptions. Inside this mysterious realm, you won't encounter common effects produced by familiar methods.

Is magic an art? Magicians have been thinking about it in the wrong way for more than a century. If you feel that the question is merely academic, Brushstrokes explains the value for every magician, with examples from history and from current

Any card is selected and is initialized on its back by the spectator. The card is shuffled back into the deck. Next, a blank-faced card with a hole in its center is shown and placed on top of the deck - the top card can be clearly seen

A few years back Joel Dickinson released an effect called Solitude. A brilliant new take on the card to impossible location plot. Since that time there have been other versions hitting the market but none match the ingenuity of Solitude Extreme!

I really admire Jeff Stone's approach to mentalism. His effects are not only especially powerful, but also clear and undeniable. And his presentations [in Stone Cold Mental] provide strong theatrical themes, while leaving plenty of room for