Hey guys, this is Jason. Many of you have known me for my visual creations like Imprint, Got Change, and Lucid dream. I like visual effects. My personal goal is to be the real-life Harry Potter and do magic that drives people crazy just

The spectator selects a card and writes the number and suit on a sugar envelope. The magician opens the envelope, pours the sugar on the spectator's forearm and the selected card appears written on the skin. It is the old and great "ashes on arm"

There is something in this book for every style of magic and magician. Stand-Up Magic pieces, Mentalism, Close-Up Magic, and even work on major Grand Scale Stage Illusions jump to life over 300 pages. This is Scott's career making book,

Imagine this: You show the spectator a card saying that represents a prediction...the prophecy of Horus. Then you introduce cards of mixed puzzle pieces saying that they create three typical Egyptian symbols. At this point the spectator will proceed to

Is magic an art? Magicians have been thinking about it in the wrong way for more than a century. If you feel that the question is merely academic, Brushstrokes explains the value for every magician, with examples from history and from current

I really admire Jeff Stone's approach to mentalism. His effects are not only especially powerful, but also clear and undeniable. And his presentations [in Stone Cold Mental] provide strong theatrical themes, while leaving plenty of room for