I really admire Jeff Stone's approach to mentalism. His effects are not only especially powerful, but also clear and undeniable. And his presentations [in Stone Cold Mental] provide strong theatrical themes, while leaving plenty of room for

Suzy Wandas came from the humblest of beginnings. Nothing about her entry into the world was auspicious, nor did it portend to her future as a star on the stages of Europe, England, or America. Instead, Jeanne Van Dyck was born in

The spectator selects a card and writes the number and suit on a sugar envelope. The magician opens the envelope, pours the sugar on the spectator's forearm and the selected card appears written on the skin. It is the old and great "ashes on arm"

It's absolutely brilliant! Both the premise and the method-Shimshi. From the creative minds of The Other Brothers comes an effect that is five years in the making - one of the very first concepts ever developed by the imaginative duo.

Imagine this: You show the spectator a card saying that represents a prediction...the prophecy of Horus. Then you introduce cards of mixed puzzle pieces saying that they create three typical Egyptian symbols. At this point the spectator will proceed to

Is magic an art? Magicians have been thinking about it in the wrong way for more than a century. If you feel that the question is merely academic, Brushstrokes explains the value for every magician, with examples from history and from current