Is magic an art? Magicians have been thinking about it in the wrong way for more than a century. If you feel that the question is merely academic, Brushstrokes explains the value for every magician, with examples from history and from current

Nick Diffatte's first hardbound collection is not jam-packed with oodles of tricks. What fills its pages are deceptive, engaging, real-world routines devised and developed by one of the hardest-working, laugh-provoking, multi-talented performers

Any card is selected and is initialized on its back by the spectator. The card is shuffled back into the deck. Next, a blank-faced card with a hole in its center is shown and placed on top of the deck - the top card can be clearly seen

A few years back Joel Dickinson released an effect called Solitude. A brilliant new take on the card to impossible location plot. Since that time there have been other versions hitting the market but none match the ingenuity of Solitude Extreme!

Wayne Dobson's UTD is one seriously clever deck for the mentalist/mind reader. Whether you are a close-up worker or stage performer, hobbyist or pro you will love 'UTD'. Imagine a tossed deck that can be examined and shuffled. A tossed deck that works

Many magicians have suffered from performing effects that are similar with all their competitions. True story, yours truly have walked into a school show and an agent asked me whether if I'll be performing the bowling trick or that