I really admire Jeff Stone's approach to mentalism. His effects are not only especially powerful, but also clear and undeniable. And his presentations [in Stone Cold Mental] provide strong theatrical themes, while leaving plenty of room for

1. Give the spectator a prediction. 2. Ribbon spread a deck of playing cards. 3. Ask the spectator to choose a number. 4. Count to the number chosen... After several months of work in collaboration with David Ferrari to refine this

What if you have the ability to extract a person's thought and materialize it? Imagine a spectator selects an imagination coin. No one else could possible know. However you are able to sense the energy of the thoughts and reveals the information bit

Is magic an art? Magicians have been thinking about it in the wrong way for more than a century. If you feel that the question is merely academic, Brushstrokes explains the value for every magician, with examples from history and from current

Suzy Wandas came from the humblest of beginnings. Nothing about her entry into the world was auspicious, nor did it portend to her future as a star on the stages of Europe, England, or America. Instead, Jeanne Van Dyck was born in

There is something in this book for every style of magic and magician. Stand-Up Magic pieces, Mentalism, Close-Up Magic, and even work on major Grand Scale Stage Illusions jump to life over 300 pages. This is Scott's career making book,