Any card is selected and is initialized on its back by the spectator. The card is shuffled back into the deck. Next, a blank-faced card with a hole in its center is shown and placed on top of the deck - the top card can be clearly seen

I would like to you a story. In this story, you spread the cards and ask your audience to name any card. No force. You isolate their selection and put away rest of the cards. You turn the tuck case around to show them the brand name of the

Is magic an art? Magicians have been thinking about it in the wrong way for more than a century. If you feel that the question is merely academic, Brushstrokes explains the value for every magician, with examples from history and from current

1. Give the spectator a prediction. 2. Ribbon spread a deck of playing cards. 3. Ask the spectator to choose a number. 4. Count to the number chosen... After several months of work in collaboration with David Ferrari to refine this

What if you have the ability to extract a person's thought and materialize it? Imagine a spectator selects an imagination coin. No one else could possible know. However you are able to sense the energy of the thoughts and reveals the information bit

I really admire Jeff Stone's approach to mentalism. His effects are not only especially powerful, but also clear and undeniable. And his presentations [in Stone Cold Mental] provide strong theatrical themes, while leaving plenty of room for