The spectator selects a card and writes the number and suit on a sugar envelope. The magician opens the envelope, pours the sugar on the spectator's forearm and the selected card appears written on the skin. It is the old and great "ashes on arm"

Hey guys, this is Jason. Many of you have known me for my visual creations like Imprint, Got Change, and Lucid dream. I like visual effects. My personal goal is to be the real-life Harry Potter and do magic that drives people crazy just

1. Give the spectator a prediction. 2. Ribbon spread a deck of playing cards. 3. Ask the spectator to choose a number. 4. Count to the number chosen... After several months of work in collaboration with David Ferrari to refine this

Many magicians have suffered from performing effects that are similar with all their competitions. True story, yours truly have walked into a school show and an agent asked me whether if I'll be performing the bowling trick or that

John Stessel is a strikingly creative magician. On this DVD, he invites you to take an intriguing journey into his world. Abandon all preconceptions. Inside this mysterious realm, you won't encounter common effects produced by familiar methods.

Is magic an art? Magicians have been thinking about it in the wrong way for more than a century. If you feel that the question is merely academic, Brushstrokes explains the value for every magician, with examples from history and from current