Asi Wind and Vanishing Inc. present one of the most comprehensive explorations ever written about a topic that is far too often overlooked by magicians and mentalists. One of the most widely-respected magicians and thinkers in the industry, Asi

I would like to you a story. In this story, you spread the cards and ask your audience to name any card. No force. You isolate their selection and put away rest of the cards. You turn the tuck case around to show them the brand name of the

The spectator selects a card and writes the number and suit on a sugar envelope. The magician opens the envelope, pours the sugar on the spectator's forearm and the selected card appears written on the skin. It is the old and great "ashes on arm"

I really admire Jeff Stone's approach to mentalism. His effects are not only especially powerful, but also clear and undeniable. And his presentations [in Stone Cold Mental] provide strong theatrical themes, while leaving plenty of room for

Is magic an art? Magicians have been thinking about it in the wrong way for more than a century. If you feel that the question is merely academic, Brushstrokes explains the value for every magician, with examples from history and from current

Any card is selected and is initialized on its back by the spectator. The card is shuffled back into the deck. Next, a blank-faced card with a hole in its center is shown and placed on top of the deck - the top card can be clearly seen