This routine starts like a classic one, but wait...A blue back prediction card is placed inside an open envelope. It is visible to all the spectators from the beginning of the routine and will be never hidden. In a deck of card with

This routine starts like a classic one, but wait...A blue back prediction card is placed inside an open envelope. It is visible to all the spectators from the beginning of the routine and will be never hidden. In a deck of card with

An ingenious gimmick that turns ANY normal wallet (with at least one credit card slot) into a 'Signed Card To Wallet' utility. The Wallet Transformer allows you to show a single playing card tucked inside your wallet. In the cleanest

Half card clip, half battle armour. Five challenging years in the making, the Warrior Card Armour is a custom-designed deck holder like no other in the playing card world. Forged in fire and cast with artistic precision, its menacing style

A very clever gimmick for learning the identity of a selected card. Thanks to an invisible device, you will be able to secretly know all cards hidden by the spectator himself in a Bicycle card case. You will see the

A spectator selects a card from the deck, and remembers it. The magician pours water into a container, and asks the spectator to concentrate on her card as she gazes at the water surface. An image of the selected

YOU CLEARLY DISPLAY BOTH SIDES OF THE CARD CASE...as you casually reach inside to grab your deck. But you've stored a few extra things inside the case that you forgot about. You pull out a box of TIC TACS, a

Four quarters of the Jacks are shown one at a time, both the fronts and the backs, and one of them is signed. They are all placed at the finger tips, held under a flame and the edges melt together to form one card with the 4

A printing effect inspired by the Hofzinser Ace Problem. 'WHAT IT ISN'T' is absolutely perfect for the strolling or table-hopping performer. You can launch into the effect at any time during your set and the re-set is quick and easy.

John Mendoza has always stated that magic must be simple. That is, the effect must be so simple that the spectators need not make any mental effort to understand what effect took place. "I feel that if an effect can be