I really admire Jeff Stone's approach to mentalism. His effects are not only especially powerful, but also clear and undeniable. And his presentations [in Stone Cold Mental] provide strong theatrical themes, while leaving plenty of room for

Is magic an art? Magicians have been thinking about it in the wrong way for more than a century. If you feel that the question is merely academic, Brushstrokes explains the value for every magician, with examples from history and from current

Make a bet that gives you very bad odds, only 20% chance you'll win. Place a large bill into a wallet, and a spectator locks it in with a padlock. Show 5 keys and explain that only 1 of these keys will open the lock. They can win the money

Imagine this: You show the spectator a card saying that represents a prediction...the prophecy of Horus. Then you introduce cards of mixed puzzle pieces saying that they create three typical Egyptian symbols. At this point the spectator will proceed to

Suzy Wandas came from the humblest of beginnings. Nothing about her entry into the world was auspicious, nor did it portend to her future as a star on the stages of Europe, England, or America. Instead, Jeanne Van Dyck was born in

It's absolutely brilliant! Both the premise and the method-Shimshi. From the creative minds of The Other Brothers comes an effect that is five years in the making - one of the very first concepts ever developed by the imaginative duo.