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There are so many kinds of production magic, but in most of these magic routines, it is not possible for the audience to completely examine the device used for the magic. The only possible way is either to exhibit the device after
At twenty-five, I embarked on an unconventional journey… Hi, I'm Eileen McFalls. This memoir is about my adventures street performing with Jim Cellini, beginning when we first met in 1980 on Jackson Square in New Orleans. After meeting
GOOD TURNS & TWISTS
A must for anyone interested in counts and twists. With contributions by Gene Castillon, Ed Marlo, Jimmy Molinari, Jon Racherbaumer, David Solomon, and Robert Walker. To quote the introduction, "Omni-Twist is the most commercial routine extant. It exce
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